The main peculiarity of professor Minnemayer’s photos is being unfinished images. I mean, none of them seems to be completed. According to a privilege belonged to the pictorial art, mother of photography, the master, apparently, left photos half-done: as they were broken by a sudden and flaring nuisance attack. We could sum up, in a very approximative way, with this expression:
“Master’s photos are mistaken, without exception”.
Obviously this is what make them extremely interesting.